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During an interlude in Paris, he saw Stravinsky’s early work, and the première of the ballet “Parade,” which featured a libretto by Jean Cocteau, music by Erik Satie, choreography by Leonide Massine*, and sets and costumes by Pablo Picasso.
The program notes, by Guillaume Apollinaire, described the ballet as “a kind of surrealism”—the first time the word had been applied to an artistic project.
One would rarely complain that a 1,102-page book is not long enough, but this edition lacks an introduction and notes that would help contextualize the poems. All his biographers agree that when he went to Harvard, in 1911, Cummings was at least as interested in visual art as in poetry, and later considered pursuing a career as a painter.
(He continued to paint throughout his life.) At his Harvard graduation, he delivered a speech on “The New Art,” in which he spoke enthusiastically of Marcel Duchamp’s “Nude Descending a Staircase,” Gertrude Stein’s poetry (“Her art is the logic of literary sound painting carried to its extreme”), and Arnold Schoenberg’s music, with its “bristling forests contorted by irresistible winds.”Those metaphorical “bristling forests” became all too real for Cummings when, the day after the United States declared war against Germany in April, 1917, he volunteered for service on the battlefields of France with the Norton-Harjes American Ambulance Corps.
This could serve admirably as an account of Cummings’s poem about Buffalo Bill Cody, right down to the description of the “pigeons.”Later, James expanded on a second idea that’s central to Cummings: the distinction between the empirical self, or “me,” and the pure ego, or “I,” complete with capitalization.
For more information about the terms of your profile’s extended visibility, click here. Meet singles through a shared interest at one of our many activities or over a drink at one of our free drinks events. Broad visibility of your profile: By creating your profile on Match, it will be visible on the local variants of our service which use the same platform operated under different brand names.Ensuring the safety of our clients is our top priority. For more information about the terms of your profile’s extended visibility, click here.Profiles are moderated and your personal data is protected. For any complaints and enquiries you may contact us here.This was a poet whose work was distinguished as much by its erotic candor and intensity (“there is between my big legs a crisp city”) as by its formal experiments. As the poem proceeds, it develops what is essentially an Elizabethan conceit on the relationship between motoring and lovemaking.When, in later years, college girls swooned at his readings, they were responding to more than just zany typography. There are more and more verbal pileups (“Bothatonce”; “allofher”), and a double entendre on a slang reading of Cummings’s own name:again slo-wly;bare,ly nudg.